당신이 그렇게도 알고 싶어하던 마스터링에 대한 기술이 한권의 책으로 완성되었습니다!
이 책을 통해 일류 마스터링 하우스와 그들의 장비를 엿볼 수 있으며 멋진 마스터를 만드는 비결과 주파수 밸런싱 및 디더링의 원칙을 배울 수 있습니다. CD가 어떻게 작동하는지, 어떻게 만들어지는지 설명되어 있으며 별도의 챕터에서는 과거 비닐 레코드를 어떻게 마스터링하고 제작했는지 그 역사도 다루고 있습니다.
이 책은 스테레오 마스터링을 광범위하게 다루면서 또한 서라운드 마스터링과 멀티 채널 등이 주도하게 될 미래까지 내다보고 있습니다. 마스터링의 거장들인 Bernie Grundman, Bob Ludwig, Glenn Meadows, Doug Sax 등과의 인터뷰도 실려있습니다.
- Contents -
Foreword
Indroduction (Meet the Mastering Engineers)
PART ONE: MASTERING IN STEREO
CHAPTER 1: WHAT EXACTLY IS MASTERING?
Some History
From Vinyl to the CD and Beyond
Why Master Anyway?
Why Is It So Good When the Pros Do It?
Experience Is the Key
CHAPTER 2: THE MECHANICS OF MASTERING
Level
How to Get Hot Levels
Limiting
Compression
- Compressor Tips and Tricks
- Three Rules for Hot Levels
To Normalize or Not to Normalize?
Frequency Balance
Frequency Feathering
Four Rules For Frequency Balancing
Processing on Load-In
Editing
Fades
- Fade-Ins
- Fade-Outs
Spreads
EDLs
Effects
CHAPTER 3: TOOLS FOR MASTERING
Common Elements
The Signal Path
The Digital Detangler
The Monitor System
The Acoustic Environment
Monitors
On the Bottom
- Subwoofers
- Subwoofer Placement and Adjustment Tips
Amplifiers
Converters
Equalizers
Compressors and Limiters
Tape Machines
Analog Tape Machines
Digital Tape Machines
Consoles
The Digital Audio Workstation
The Big Players
The Network
Backup
Other Devices
The UV-1000
Metering
Sample Rate Converters
De-essers
The Alesis Masterlink
- CD-ROM Files
CHAPTER 4: MASTERING FOR CD
Dither
Rules for Using Dither
ISRC
CD Subcodes
The Sony PCM-1630
1630 Mastering Setup
The PMCD
DDP
CD-R Burners
Disc-at-Once
Recorder Speed
CD-R Recording Tips
Error Checking
CHAPTER 5: CDS - HOW THEY WORK AND HOW THEY'RE MADE
The Books
Red Book
Orange Book
Blue Book
Green Book
Yellow Book
White Book
Photo CD
How CDs Work
Scanning the Disc
How CDs Are Made
CD Pressing Plants
Of Additional Interest
CHAPTER 6: MASTERING FOR VINYL
A Brief History of Vinyl
The Physics of Vinyl
Master Lacquer
The Cutting Sylus and Cutter Head
The Lathe
The Mastering Console
Equalization
The Elliptical Equalizer
How Records Are Pressed
CHAPTER 7: PARTS PRODUCTION
Multiple Masters
The CD Master
The Cassette Master
The Vinyl Master
Backup Masters
Client Refs
Master Verification
CHAPTER 8: TEN RECORDING TIPS TO REMEMBER BEFORE MASTERING
PART TWO: MASTERING IN SURROUND
CHAPTER 9: THE FUTURE IS HERE
First, a Bit of History
Types of Surround Sound
The LFE Channel
Bass Management
Other Types of Surround
The Differences between Surround and Stereo
The Surround Mix
Surround Mix Features
Differences between Mixes for Picture and Music
Different Perspectives: "Audience" vs. "Onstage"
The Center Channel
The LFE (Subwoofer) Channel
CHAPTER 10: SURROUND MASTER MEDIA PREP
Slate the Master
Master Tape Track Assignments
Print a Test Tone
Print Time Code
Surround to Stereo Compatibility
Document the Details
CHAPTER 11: SURROUND EQUIPMENT
Monitoring
Bass Management
Test Equipment
The Console
Converters
Ourboard Gear
Surround Master Recorders
96/24 Anyone?
Surround Encoders/Decoders (Codecs)
Data Compression
High or Low Resolution: 96/24 vs. 48/20
Lossy and Lossless Compression
Dolby Digital (AC-3) or DTS Encoding
Merridian Lossless Packing
A New Way of Working
What the Heck Is Authoring?
Enter DLT
CHAPTER 12: MULTICHANNEL AUDIO DELIVERY FORMATS
DVD Basics
Storage Capacity
File Format
The DVD-Video Disc
Sonics
DVD-Video Advantages
DVD-Video Disadvantages
The DTS Music Disc
Sonics
DTS Music Disc Advantages
DTS Music Disc Disadvantages
The DVD-Audio Disc
Sonics
Scalability
Playback Time
SMART Content
Copy Protection and Watermarking
Value Added Content
DVD-Audio Disc Advantages
DVD-Audio Disc Disadvantages
The Super Audio CD (SACD)
Sonics
Other Data
Super Audio CD Advantages
Super Audio CD Disadvantages
PART THREE: THE INTERVIEWS
CHAPTER 13: THE INTERVIEWS
About the Interviews
Greg Calbi
David Cheppa
Dave Collins
Bernie Grundman
Bob Katz
Bob Ludwig
Glenn Meadows
Bob Olhsson
Doug Sax
Eddy Schreyer
Glossary
About the Author
Thanks
Index
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